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The Voice
by Matthew Arnold

English poet and critic. His first two volumes of poems The Strayed Reveller and other Poems (1849) and Empedocles on Etna and other Poems (1852) were published anonymously and with little success. He made his mark with his third volume of poetry Poems: A New Edition (1853-54) which contained 'The Scholar Gipsy', 'Sohrab and Rustum', and 'Memorial Verses to Wordsworth'. He reinforced his standing as a poet with New Poems (1867) which included 'Dover Beach' and 'Thyrsis'. He established himself as the leading critic of the age with a number of works including Essays and Criticism (1865, 1888), Culture and Anarchy (1869) and Literature and Dogma (1873).


The Voice
by Matthew Arnold

As the kindling glances,
Queen-like and clear,
Which the bright moon lances
From her tranquil sphere
At the sleepless waters
Of a lonely mere,
On the wild whirling waves, mournfully, mournfully,
Shiver and die.

As the tears of sorrow
Mothers have shed -
Prayers that tomorrow
Shall in vain be sped
When the flower they flow for
Lies frozen and dead -
Fall on the throbbing brow, fall on the burning breast,
Bringing no rest.

Like bright waves that fall
With a lifelike motion
On the lifeless margin of the sparkling Ocean;
A wild rose climbing up a mouldering wall -
A gush of sunbeams through a ruined hall -
Strains of glad music at a funeral -
So sad, and with so wild a start
To this deep-sobered heart,
So anxiously and painfully,
So drearily and doubtfully,
And oh, with such intolerable change
Of thought, such contrast strange,
O unforgotten voice, thy accents come,
Like wanderers from the world's extremity,
Unto their ancient home!

In vain, all, all in vain,
They beat upon mine ear again,
Those melancholy tones so sweet and still.
Those lute-like tones which in the bygone year
Did steal into mine ear -
Blew such a thrilling summons to my will,
Yet could not shake it;
Made my tost heart its very life-blood spill,
Yet could not break it.


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