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Boot and Saddle
by Robert Browning

English poet and dramatist, whose most ambitious work was The Ring and the Book (1868-69): a verse narrative in ten parts based on a real murder trial conducted in Florence. He also wrote and published Pauline (1833), Paracelsus (1835), Sordello (1840) and Strafford (1837), a play that ran for only five nights. Two other plays A Blot in the Scutcheon (1843) and Colombe's Birthday (1843), were also performed briefly in 1843 and 1853, after which Browning wrote mainly dramatic poetry. He published a series of eight volumes of verse, under the title Bells and Pomegranates, between 1841 and 1846. After his marriage to the poetess Elizabeth Barrett Browning in 1846, Browning's most important works, along with The Ring and the Book, were Christmas-Eve and Easter-Day (1850), an exploration of worship; a volume of fifty poems entitled Men and Women (1850) and Dramatis Personae (1854). The influence of his handling of diction and the monologue form is perhaps to be noted in such twentieth century poets as Ezra Pound and T.S. Eliot.


Boot and Saddle
by Robert Browning

Boot, saddle, to horse, and away!
Rescue my Castle, before the hot day
Brightens the blue from its silvery grey,

(Chorus) "Boot, saddle, to horse, and away!"

Ride past the suburbs, asleep as you'd say;
Many's the friend there, will listen and pray
"God's luck to gallants that strike up the lay,

(Chorus) "Boot, saddle, to horse, and away!"

Forty miles off, like a roebuck at bay,
Flouts Castle Brancepeth the Roundheads array:
Who laughs, Good fellows ere this, by my fay,

(Chorus) "Boot, saddle, to horse, and away!"

Who? My wife Gertrude; that, honest and gay,
Laughs when you talk of surrendering, "Nay!
I've better counsellors; what counsel they?"

(Chorus) "Boot, saddle, to horse, and away!"


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