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The Lost Mistress
by Robert Browning

English poet and dramatist, whose most ambitious work was The Ring and the Book (1868-69): a verse narrative in ten parts based on a real murder trial conducted in Florence. He also wrote and published Pauline (1833), Paracelsus (1835), Sordello (1840) and Strafford (1837), a play that ran for only five nights. Two other plays A Blot in the Scutcheon (1843) and Colombe's Birthday (1843), were also performed briefly in 1843 and 1853, after which Browning wrote mainly dramatic poetry. He published a series of eight volumes of verse, under the title Bells and Pomegranates, between 1841 and 1846. After his marriage to the poetess Elizabeth Barrett Browning in 1846, Browning's most important works, along with The Ring and the Book, were Christmas-Eve and Easter-Day (1850), an exploration of worship; a volume of fifty poems entitled Men and Women (1850) and Dramatis Personae (1854). The influence of his handling of diction and the monologue form is perhaps to be noted in such twentieth century poets as Ezra Pound and T.S. Eliot.


The Lost Mistress
by Robert Browning

All's over, then: does truth sound bitter
As one at first believes?
Hark, 'tis the sparrows' good-night twitter
About your cottage eaves!

And the leaf-buds on the vine are woolly,
I noticed that today;
One day more bursts them open fully
- You know the red turns grey.

Tomorrow we meet the same then, dearest?
May I take your hand in mine?
Mere friends are we, -well, friends the merest
Keep much that I resign:

For each glance of that eye so bright and black,
Though I keep with heart's endeavour, -
Your voice, when you wish the snowdrops back,
Though it stay in my soul for ever! -

- Yet I will but say what mere friends say,
Or only a thought stronger;
I will hold your hand but as long as all may,
Or so very little longer!


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