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Song, from The Silent Woman
by Benjamin Jonson

English dramatist and poet, perhaps still best known as the dramatic rival of his more famous contemporary, Shakespeare. His most renowned works are the two comedies Volpone (1605-6) and The Alchemist (1610) and the satirical tragedy Sejanus (1603). Other important works include the satirical The Devil is an Ass (1616), Epicone, or The Silent Woman (1609) and Bartholomew's Fair (1614). The first and perhaps most enduring of the famous comedies of humour, with which Jonson's name is chiefly associated today, was his Every Man in his Humour (1598).

Other dramatic works include Every Man Out of His Humour (1599), Cynthia's Revels (1600), The Poetaster (1601), Catiline (1611), The Staple of News (1625), The New Inn (1629) and The Magnetic Lady (1632). Perhaps the most important of his non-dramatic works is his collection of prose pieces Timber; or Discoveries Made Upon Men and Matters (1640). He also wrote non-dramatic poetry that influenced the form of the later lyric verse, in particular the verse of Andrew Marvell and of the Cavalier poets.


Song, from The Silent Woman
by Benjamin Jonson

Still to be neat, still to be dressed,
As you were going to a feast;
Still to be powdered, still perfumed:
Lady, it is to be presumed,
Though art's hid causes are not found,
All is not sweet, all is not sound.

Give me a look, give me a face,
That makes simplicity a grace;
Robes loosely flowing, hair as free;
Such sweet neglect more taketh me
Than all th' adulteries of art:
They strike mine eyes, but not my heart.


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