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A Superscription
by Dante Gabriel Rossetti

As a poet and painter, as well as a translator, Rossetti spent much of his life, often painting on literary themes or, for example, illustrating such volumes as Lord Tennyson's Poems (1857), hesitating between painting and poetry. His poems were first published in 1850 in 'The Germ', the journal of the famous Pre-Raphaelite Brotherhood that he had set up, along with six others, in 1848. These included The Blessed Damosel, My Sister's Sleep and a piece of prose writing entitled Hand and Soul. He only published again almost twenty years later with the appearance of sixteen sonnets in 'The Fortnightly Review' in 1869. This was followed by a volume of Poems (1870) that included the first part of what is sometimes referred to as his masterpiece, The House of Life. The second work to appear in 1881, again with another volume entitled Poems (1881), in which Rossetti chiefly rearranged earlier works, was Ballads and Sonnets in which The House of Life was completed and forty-seven new sonnets and some historical ballads added. Other important works are Rossetti's response made to a criticism of the Pre-Raphaelite school, The Stealthy School of Criticism that appeared in 'The Athanaeum' in 1872, and the translations of Dante, Dante and His Circle (1874), and Villon.


A Superscription
by Dante Gabriel Rossetti

Look in my face; my name is Might-have-been;
I am also called No-more, Too-late, Farewell;
Unto thine ear I hold the dead-sea shell
Cast up thy Life's foam-fretted feet between;
Unto thine eyes the glass where that is seen
Which had Life's form and Love's, but by my spell
Is now a shaken shadow intolerable,
Of ultimate things unuttered the frail screen.

Mark me, how still I am! But should there dart
One moment through thy soul the soft surprise
Of that winged peace which lulls the breath of sighs, -
Then shalt thou see me smile, and turn apart
Thy visage to mine ambush at thy heart
Sleepless with cold commemorative eyes.


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