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Sonnets 51-100
by William Shakespeare

English poet and dramatist. His plays were performed rather than published so it is difficult to know the order they were written in. It seems likely that the Henry VI plays came first (late 1580s). The Taming of the Shrew, The Comedy of Errors and Love's Labour's Lost are all thought to be 1595, A Midsummer Night's Dream and The Merchant of Venice were both printed in 1600, Othello (1604), King Lear seems to date from 1605, Macbeth from 1606, Cymbeline, The Winter's Tale and The Tempest all probably 1611. The Sonnets were written in the mid-1590s but appeared only in 1609.

Shakespeare is seen as the greatest English dramatist of all time and his work has influenced generations of later artists of all sorts.


The Sonnets
Sonnets 51-100
by William Shakespeare

Sonnet 51

Thus can my love excuse the slow offence
Of my dull bearer when from thee I speed:
From where thou art why should I haste me thence?
Till I return, of posting is no need.
O what excuse will my poor beast then find,
When swift extremity can seem but slow?
Then should I spur though mounted on the wind -
In winged speed no motion shall I know.
Then can no horse with my desire keep pace;
Therefore desire, of perfect'st love being made,
Shall neigh, no dull flesh in his fiery race;
But love, for love, thus shall excuse my jade:
Since from thee going he went wilful slow,
Towards thee I'll run, and give him leave to go.

Sonnet 52

So am I as the rich whose blessed key
Can bring him to his sweet up-locked treasure,
The which he will not ev'ry hour survey
For blunting the fine point of seldom pleasure.
Therefore are feasts so solemn and so rare -
Since seldom coming in the long year set,
Like stones of worth they thinly placed are,
Or captain jewels in the carcanet.
So is the time that keeps you as my chest,
Or as the wardrobe which the robe doth hide,
To make some special instant special blest
By new unfolding his imprisoned pride.
Blessed are you whose worthiness gives scope
Being had, to triumph, being lacked, to hope.

Sonnet 53

What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since everyone hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new.
Speak of the spring and foison of the year:
The one doth shadow of your beauty show,
The other as your bounty doth appear,
And you in every blessed shape we know.
In all external grace you have some part,
But you like none, none you, for constant heart.

Sonnet 54

O, how much more doth beauty beauteous seem
By that sweet ornament which truth doth give!
The rose looks fair, but fairer we it deem
For that sweet odour which doth in it live.
The canker blooms have full as deep a dye
As the perfumed tincture of the roses,
Hang on such thorns, and play as wantonly
When summer's breath their masked buds discloses;
But, for their virtue only is their show,
They live unwooed, and unrespected fade -
Die to themselves. Sweet roses do not so;
Of their sweet deaths are sweetest odours made.
And so of you, beauteous and lovely youth,
When that shall vade, by verse distills your truth.

Sonnet 55

Not marble nor the gilded monuments
Of princes shall outlive this powerful rhyme,
But you shall shine more bright in these contents
Than unswept stone, besmeared with sluttish time.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword nor war's quick fire shall burn
The living record of your memory.
'Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room
Even in the eyes of all posterity
That wear this world out to the ending doom.
So, till the judgment that yourself arise,
You live in this, and dwell in lovers' eyes.

Sonnet 56

Sweet love, renew thy force; be it not said
Thy edge should blunter be than appetite,
Which but today by feeding is allayed,
Tomorrow sharpened in his former might.
So, love, be thou. Although today thou fill
Thy hungry eyes even till they wink with fullness,
Tomorrow see again, and do not kill
The spirit of love with a perpetual dullness.
Let this sad int'rim like the ocean be
Which parts the shore where two contracted-new
Come daily to the banks, that when they see
Return of love, more blest may be the view;
Or call it winter, which, being full of care,
Makes summer's welcome thrice more wished, more rare.

Sonnet 57

Being your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do, till you require;
Nor dare I chide the world-without-end hour
Whilst I, my sovereign, watch the clock for you,
Nor think the bitterness of absence sour,
When you have bid your servant once adieu;
Nor dare I question with my jealous thought
Where you may be, or your affairs suppose,
But like a sad slave stay and think of nought
Save where you are how happy you make those.
So true a fool is love that, in your Will
(Though you do anything) he thinks no ill.

Sonnet 58

That god forbid, that made me first your slave,
I should in thought control your times of pleasure,
Or at your hand th' account of hours to crave,
Being your vassal bound to stay your leisure.
O let me suffer, being at your beck,
Th' imprisoned absence of your liberty,
And patience-tame to sufferance bide each check
Without accusing you of injury.
Be where you list, your charter is so strong
That you yourself may privilege your time
To what you will; to you it doth belong
Yourself to pardon of self-doing crime.
I am to wait, though waiting so be hell,
Not blame your pleasure, be it ill or well.

Sonnet 59

If there be nothing new, but that which is
Hath been before, how are our brains beguiled,
Which, labouring for invention, bear amiss
The second burthen of a former child!
O that record could with a backward look,
Even of five hundred courses of the sun,
Show me your image in some antique book,
Since mind at first in character was done!
That I might see what the old world could say
To this composed wonder of your frame -
Whether we are mended, or whe'er better they,
Or whether revolution be the same.
O sure I am the wits of former days
To subjects worse have given admiring praise.

Sonnet 60

Like as the waves make towards the pebbled shore,
So do our minutes hasten to their end,
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity, once in the main of light,
Crawls to maturity, wherewith being crowned,
Crooked eclipses 'gainst his glory fight,
And Time that gave doth now his gift confound.
Time doth transfix the flourish set on youth,
And delves the parallels in beauty's brow,
Feeds on the rarities of nature's truth,
And nothing stands but for his scythe to mow.
And yet to times in hope my verse shall stand,
Praising thy worth despite his cruel hand.

Sonnet 61

Is it thy will thy image should keep open
My heavy eyelids to the weary night?
Dost thou desire my slumbers should be broken,
While shadows like to thee do mock my sight?
Is it thy spirit that thou send'st from thee
So far from home into my deeds to pry,
To find out shames and idle hours in me,
The scope and tenure of thy jealousy?
O no! -thy love, though much, is not so great;
It is my love that keeps mine eye awake,
Mine own true love that doth my rest defeat,
To play the watchman ever for thy sake.
For thee watch I, whilst thou dost wake elsewhere,
From me far off, with others all too near.

Sonnet 62

Sin of self-love possesseth all mine eye,
And all my soul, and all my every part;
And for this sin there is no remedy,
It is so grounded inward in my heart.
Methinks no face so gracious is as mine,
No shape so true, no truth of such account,
And for myself mine own worth do define,
As I all other in all worths surmount.
But when my glass shows me myself indeed,
Beated and chopt with tanned antiquity,
Mine own self-love quite contrary I read;
Self so self-loving were iniquity.
'Tis thee (my self) that for myself I praise,
Painting my age with beauty of thy days.

Sonnet 63

Against my love shall be as I am now,
With Time's injurious hand crushed and o'erworn;
When hours have drained his blood and filled his brow
With lines and wrinkles; when his youthful morn
Hath travelled on to age's steepy night,
And all those beauties whereof now he's king
Are vanishing or vanished out of sight,
Stealing away the treasure of his spring -
For such a time do I now fortify
Against confounding age's cruel knife,
That he shall never cut from memory
My sweet love's beauty, though my lover's life.
His beauty shall in these black lines be seen,
And they shall live, and he in them still green.

Sonnet 64

When I have seen by Time's fell hand defaced
The rich proud cost of outworn buried age;
When sometime lofty towers I see down-razed,
And brass eternal slave to mortal rage;
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the wat'ry main,
Increasing store with loss and loss with store;
When I have seen such interchange of state,
Or state itself confounded to decay,
Ruin hath taught me thus to ruminate:
That Time will come and take my love away.
This thought is as a death, which cannot choose
But weep to have that which it fears to lose.

Sonnet 65

Since brass, nor stone, nor earth, nor boundless sea,
But sad mortality o'ersways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?
O how shall summer's honey breath hold out
Against the wrackful siege of batt'ring days,
When rocks impregnable are not so stout,
Nor gates of steel so strong, but time decays?
O fearful meditation! Where, alack,
Shall Time's best jewel from Time's chest lie hid,
Or what strong hand can hold his swift foot back,
Or who his spoil of beauty can forbid?
O, none, unless this miracle have might -
That in black ink my love may still shine bright.

Sonnet 66

Tired with all these, for restful death I cry:
As to behold desert a beggar born,
And needy nothing trimmed in jollity,
And purest faith unhappily forsworn,
And gilded honour shamefully misplaced,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgraced,
And strength by limping sway disabled,
And art made tongue-tied by authority,
And folly, doctor-like, controlling skill,
And simple truth miscalled simplicity,
And captive good attending captain ill.
Tired with all these, from these would I be gone,
Save that to die I leave my love alone.

Sonnet 67

Ah! wherefore with infection should he live
And with his presence grace impiety,
That sin by him advantage should achieve,
And lace itself with his society?
Why should false painting imitate his cheek,
And steal dead seeing of his living hue?
Why should poor beauty indirectly seek
Roses of shadow, since his rose is true?
Why should he live, now Nature bankrupt is,
Beggared of blood to blush through lively veins?
For she hath no exchequer now but his,
And proud of many lives upon his gains.
O, him she stores, to show what wealth she had
In days long since, before these last so bad.

Sonnet 68

Thus is his cheek the map of days outworn,
When beauty lived and died as flowers do now,
Before these bastard signs of fair were borne,
Or durst inhabit on a living brow;
Before the golden tresses of the dead,
The right of sepulchres, were shorn away
To live a second life on second head,
Ere beauty's dead fleece made another gay.
In him those holy antique hours are seen
Without all ornament, itself and true,
Making no summer of another's green,
Robbing no old to dress his beauty new;
And him as for a map doth Nature store,
To show false Art what beauty was of yore.

Sonnet 69

Those parts of thee that the world's eye doth view
Want nothing that the thought of hearts can mend;
All tongues (the voice of souls) give thee that due,
Utt'ring bare truth even so as foes commend.
Thy outward thus with outward praise is crowned,
But those same tongues that give thee so thine own
In other accents do this praise confound
By seeing farther than the eye hath shown.
They look into the beauty of thy mind,
And that in guess they measure by thy deeds;
Then, churls, their thoughts, although their eyes were kind,
To thy fair flower add the rank smell of weeds.
But why thy odour matcheth not thy show,
The soil is this: that thou dost common grow.

Sonnet 70

That thou art blamed shall not be thy defect,
For slander's mark was ever yet the fair;
The ornament of beauty is suspect,
A crow that flies in heaven's sweetest air.
So thou be good, slander doth but approve
Thy worth the greater, being wooed of time;
For canker-vice the sweetest buds doth love,
And thou present'st a pure unstained prime.
Thou hast passed by the ambush of young days,
Either not assailed, or victor being charged;
Yet this thy praise cannot be so thy praise
To tie up envy, evermore enlarged.
If some suspect of ill masked not thy show,
Then thou alone kingdoms of hearts shouldst owe.

Sonnet 71

No longer mourn for me when I am dead
Than you shall hear the surly sullen bell
Give warning to the world that I am fled
From this vile world with vildest worms to dwell.
Nay, if you read this line remember not
The hand that writ it, for I love you so
That I in your sweet thoughts would be forgot
If thinking on me then should make you woe.
O, if, I say, you look upon this verse
When I perhaps compounded am with clay,
Do not so much as my poor name rehearse,
But let your love even with my life decay;
Lest the wise world should look into your moan,
And mock you with me after I am gone.

Sonnet 72

O, lest the world should task you to recite
What merit lived in me that you should love
After my death, dear love, forget me quite;
For you in me can nothing worthy prove,
Unless you would devise some virtuous lie
To do more for me than mine own desert,
And hang more praise upon deceased I
Than niggard truth would willingly impart.
O, lest your true love may seem false in this,
That you for love speak well of me untrue,
My name be buried where my body is,
And live no more to shame nor me nor you;
For I am shamed by that which I bring forth,
And so should you, to love things nothing worth.

Sonnet 73

That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruined choirs where late the sweet birds sang.
In me thou seest the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou seest the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire,
Consumed with that which it was nourished by.
This thou perceiv'st, which makes thy love more strong,
To love that well which thou must leave ere long.

Sonnet 74

But be contented when that fell arrest
Without all bail shall carry me away;
My life hath in this line some interest,
Which for memorial still with thee shall stay.
When thou reviewest this, thou dost review
The very part was consecrate to thee.
The earth can have but earth, which is his due;
My spirit is thine, the better part of me.
So then thou hast but lost the dregs of life,
The prey of worms, my body being dead,
The coward conquest of a wretch's knife,
Too base of thee to be remembered.
The worth of that is that which it contains,
And that is this, and this with thee remains.

Sonnet 75

So are you to my thoughts as food to life,
Or as sweet-seasoned showers are to the ground;
And for the peace of you I hold such strife
As 'twixt a miser and his wealth is found:
Now proud as an enjoyer, and anon
Doubting the filching age will steal his treasure;
Now counting best to be with you alone,
Then bettered that the world may see my pleasure;
Sometimes all full with feasting on your sight,
And by and by clean starved for a look;
Possessing or pursuing no delight
Save what is had or must from you be took.
Thus do I pine and surfeit day by day,
Or gluttoning on all, or all away.

Sonnet 76

Why is my verse so barren of new pride,
So far from variation or quick change?
Why with the time do I not glance aside
To new-found methods and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth and where they did proceed?
O know, sweet love, I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent;
For as the sun is daily new and old,
So is my love, still telling what is told.

Sonnet 77

Thy glass will show thee how thy beauties wear,
Thy dial how thy precious minutes waste;
The vacant leaves thy mind's imprint will bear,
And of this book this learning mayst thou taste:
The wrinkles which thy glass will truly show
Of mouthed graves will give thee memory;
Thou by thy dial's shady stealth mayst know
Time's thievish progress to eternity;
Look what thy memory cannot contain
Commit to these waste blanks, and thou shalt find
Those children nursed, delivered from thy brain,
To take a new acquaintance of thy mind.
These offices, so oft as thou wilt look,
Shall profit thee, and much enrich thy book.

Sonnet 78

So oft I invoked thee for my Muse,
And found such fair assistance in my verse
As every alien pen hath got my use,
And under thee their poesy disperse.
Thine eyes, that taught the dumb on high to sing,
And heavy ignorance aloft to fly,
Have added feathers to the learned's wing,
And given grace a double majesty.
Yet be most proud of that which I compile,
Whose influence is thine, and born of thee;
In others' works thou dost but mend the style,
And arts with thy sweet graces graced be;
But thou art all my art, and dost advance
As high as learning my rude ignorance.

Sonnet 79

Whilst I alone did call upon thy aid,
My verse alone had all thy gentle grace;
But now my gracious numbers are decayed,
And my sick Muse doth give an other place.
I grant, sweet love, thy lovely argument
Deserves the travail of a worthier pen,
Yet what of thee thy poet doth invent
He robs thee of, and pays it thee again.
He lends thee virtue, and he stole that word
From thy behaviour; beauty doth he give,
And found it in thy cheek; he can afford
No praise to thee but what in thee doth live.
Then thank him not for that which he doth say,
Since what he owes thee thou thyself dost pay.

Sonnet 80

O, how I faint when I of you do write,
Knowing a better spirit doth use your name,
And in the praise thereof spends all his might
To make me tongue-tied, speaking of your fame.
But since your worth, wide as the ocean is,
The humble as the proudest sail doth bear,
My saucy bark, inferior far to his,
On your broad main doth wilfully appear.
Your shallowest help will hold me up afloat,
Whilst he upon your soundless deep doth ride;
Or, being wrecked, I am a worthless boat,
He of tall building and of goodly pride.
Then if he thrive and I be cast away,
The worst was this: my love was my decay.

Sonnet 81

Or I shall live your epitaph to make,
Or you survive when I in earth am rotten;
From hence your memory death cannot take,
Although in me each part will be forgotten.
Your name from hence immortal life shall have,
Though I, once gone, to all the world must die;
The earth can yield me but a common grave,
When you entombed in men's eye shall lie.
Your monument shall be my gentle verse,
Which eyes not yet created shall o'erread,
And tongues to be your being shall rehearse
When all the breathers of this world are dead.
You still shall live (such virtue hath my pen)
Where breath most breathes, even in the mouths of men.

Sonnet 82

I grant thou wert not married to my Muse,
And therefore mayst without attaint o'erlook
The dedicated words which writers use
Of their fair subject, blessing every book.
Thou art as fair in knowledge as in hue,
Finding thy worth a limit past my praise;
And therefore art enforced to seek anew
Some fresher stamp of the time-bettering days.
And do so, love; yet when they have devised
What strained touches rhetoric can lend,
Thou, truly fair, wert truly sympathized
In true plain words by thy true-telling friend;
And their gross painting might be better used
Where cheeks need blood; in thee it is abused.

Sonnet 83

I never saw that you did painting need,
And therefore to your fair no painting set;
I found (or thought I found) you did exceed
The barren tender of a poet's debt;
And therefore have I slept in your report,
That you yourself being extant well might show
How far a modern quill doth come too short,
Speaking of worth, what worth in you doth grow.
This silence for my sin you did impute,
Which shall be most my glory, being dumb;
For I impair not beauty, being mute,
When others would give life, and bring a tomb.
There lives more life in one of your fair eyes
Than both your poets can in praise devise.

Sonnet 84

Who is it that says most which can say more
Than this rich praise -that you alone are you,
In whose confine immured is the store
Which should example where your equal grew?
Lean penury within that pen doth dwell
That to his subject lends not some small glory;
But he that writes of you, if he can tell
That you are you, so dignifies his story.
Let him but copy what in you is writ,
Not making worse what nature made so clear,
And such a counterpart shall fame his wit,
Making his style admired everywhere.
You to your beauteous blessings add a curse,
Being fond on praise, which makes your praises worse.

Sonnet 85

My tongue-tied Muse in manners holds her still,
While comments of your praise, richly compiled,
Reserve their character with golden quill
And precious phrase by all the Muses filed.
I think good thoughts whilst other write good words,
And, like unlettered clerk, still cry 'Amen'
To every hymn that able spirit affords
In polished form of well-refined pen.
Hearing you praised, I say "'Tis so, 'tis true",
And to the most of praise add something more;
But that is in my thought, whose love to you
(Though words come hindmost) holds his rank before.
Then others for the breath of words respect,
Me for my dumb thoughts, speaking in effect.

Sonnet 86

Was it the proud full sail of his great verse,
Bound for the prize of all-too-precious you,
That did my ripe thoughts in my brain inhearse,
Making their tomb the womb wherein they grew?
Was it his spirit, by spirits taught to write
Above a mortal pitch, that struck me dead?
No, neither he nor his compeers by night
Giving him aid my verse astonished.
He nor that affable familiar ghost
Which nightly gulls him with intelligence,
As victors, of my silence cannot boast;
I was not sick of any fear from thence.
But when your countenance filled up his line,
Then lacked I matter -that enfeebled mine.

Sonnet 87

Farewell, thou art too dear for my possessing,
And like enough thou know'st thy estimate.
The charter of thy worth gives thee releasing;
My bonds in thee are all determinate.
For how do I hold thee but by thy granting?
And for that riches where is my deserving?
The cause of this fair gift in me is wanting,
And so my patent back again is swerving.
Thyself thou gav'st, thy own worth then not knowing,
Or me, to whom thou gav'st it, else mistaking;
So thy great gift, upon misprision growing,
Comes home again, on better judgment making.
Thus have I had thee as a dream doth flatter:
In sleep a king, but waking no such matter.

Sonnet 88

When thou shalt be disposed to set me light,
And place my merit in the eye of scorn,
Upon thy side against myself I'll fight,
And prove thee virtuous, though thou art forsworn.
With mine own weakness being best acquainted,
Upon thy part I can set down a story
Of faults concealed, wherein I am attainted,
That thou in losing me shalt win much glory.
And I by this will be a gainer too,
For, bending all my loving thoughts on thee,
The injuries that to myself I do,
Doing thee vantage, double-vantage me.
Such is my love, to thee I so belong,
That for thy right myself will bear all wrong.

Sonnet 89

Say that thou didst forsake me for some fault,
And I will comment upon that offence;
Speak of my lameness, and I straight will halt,
Against thy reasons making no defence.
Thou canst not, love, disgrace me half so ill,
To set a form upon desired change,
As I'll myself disgrace, knowing thy will.
I will acquaintance strangle, and look strange,
Be absent from thy walks, and in my tongue
Thy sweet beloved name no more shall dwell,
Lest I, too much profane, should do it wrong,
And haply of our old acquaintance tell.
For thee, against myself I'll vow debate,
For I must ne'er love him whom thou dost hate.

Sonnet 90

Then hate me when thou wilt; if ever, now,
Now while the world is bent my deeds to cross,
Join with the spite of fortune, make me bow,
And do not drop in for an after-loss.
Ah, do not, when my heart hath 'scaped this sorrow,
Come in the rearward of a conquered woe;
Give not a windy night a rainy morrow,
To linger out a purposed overthrow.
If thou wilt leave me, do not leave me last,
When other petty griefs have done their spite,
But in the onset come; so shall I taste
At first the very worst of fortune's might;
And other strains of woe, which now seem woe,
Compared with loss of thee will not seem so.

Sonnet 91

Some glory in their birth, some in their skill,
Some in their wealth, some in their body's force,
Some in their garments -though newfangled ill -
Some in their hawks and hounds, some in their horse;
And every humour hath his adjunct pleasure,
Wherein it finds a joy above the rest;
But these particulars are not my measure;
All these I better in one general best.
Thy love is better than high birth to me,
Richer than wealth, prouder than garments' cost,
Of more delight than hawks and horses be;
And having thee, of all men's pride I boast.
Wretched in this alone: that thou mayst take
All this away, and me most wretched make.

Sonnet 92

But do thy worst to steal thyself away,
For term of life thou art assured mine;
And life no longer than thy love will stay,
For it depends upon that love of thine.
Then need I not to fear the worst of wrongs,
When in the least of them my life hath end.
I see a better state to me belongs
Than that which on thy humour doth depend.
Thou canst not vex me with inconstant mind,
Since that my life on thy revolt doth lie.
O what a happy title do I find,
Happy to have thy love, happy to die!
But what's so blessed-fair that fears no blot?
Thou mayst be false, and yet I know it not.

Sonnet 93

So shall I live, supposing thou art true,
Like a deceived husband; so love's face
May still seem love to me, though altered new -
Thy looks with me, thy heart in other place.
For there can live no hatred in thine eye,
Therefore in that I cannot know thy change.
In many's looks the false heart's history
Is writ in moods and frowns and wrinkles strange;
But heaven in thy creation did decree
That in thy face sweet love should ever dwell;
Whate'er thy thoughts or thy heart's workings be,
Thy looks should nothing thence but sweetness tell.
How like Eve's apple doth thy beauty grow,
If thy sweet virtue answer not thy show!

Sonnet 94

They that have power to hurt and will do none,
That do not do the thing they most do show,
Who moving others are themselves as stone,
Unmoved, cold, and to temptation slow -
They rightly do inherit heaven's graces,
And husband nature's riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer's flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity;
For sweetest things turn sourest by their deeds:
Lilies that fester smell far worse than weeds.

Sonnet 95

How sweet and lovely dost thou make the shame
Which like a canker in the fragrant rose
Doth spot the beauty of thy budding name!
O, in what sweets dost thou thy sins enclose!
That tongue that tells the story of thy days,
Making lascivious comments on thy sport,
Cannot dispraise, but in a kind of praise,
Naming thy name, blesses an ill report.
O, what a mansion have those vices got
Which for their habitation chose out thee,
Where beauty's veil doth cover every blot,
And all things turns to fair that eyes can see!
Take heed, dear heart, of this large privilege;
The hardest knife ill-used doth lose his edge.

Sonnet 96

Some say thy fault is youth, some wantonness;
Some say thy grace is youth and gentle sport.
Both grace and faults are loved of more and less;
Thou mak'st faults graces that to thee resort.
As on the finger of a throned queen
The basest jewel will be well esteemed,
So are those errors that in thee are seen
To truths translated and for true things deemed.
How many lambs might the stern wolf betray,
If like a lamb he could his looks translate!
How many gazers mightst thou lead away,
If thou wouldst use the strength of all thy state!
But do not so; I love thee in such sort
As, thou being mine, mine is thy good report.

Sonnet 97

How like a winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen!
What old December's bareness everywhere!
And yet this time removed was summer's time,
The teeming autumn, big with rich increase,
Bearing the wanton burden of the prime,
Like widowed wombs after their lords' decease;
Yet this abundant issue seemed to me
But hope of orphans and unfathered fruit,
For summer and his pleasures wait on thee,
And, thou away, the very birds are mute;
Or if they sing, 'tis with so dull a cheer
That leaves look pale, dreading the winter's near.

Sonnet 98

From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laughed and leaped with him.
Yet nor the lays of birds nor the sweet smell
Of different flowers in odour and in hue
Could make me any summer's story tell,
Or from their proud lap pluck them where they grew;
Nor did I wonder at the lily's white,
Nor praise the deep vermilion in the rose;
They were but sweet, but figures of delight,
Drawn after you, you pattern of all those.
Yet seemed it winter still, and, you away,
As with your shadow I with these did play.

Sonnet 99

The forward violet thus did I chide:
"Sweet thief, whence didst thou steal thy sweet that smells,
If not from my love's breath? The purple pride
Which on thy soft cheek for complexion dwells
In my love's veins thou hast too grossly dyed".
The lily I condemned for thy hand,
And buds of marjoram had stol'n thy hair;
The roses fearfully on thorns did stand,
One blushing shame, another white despair;
A third, nor red nor white, had stol'n of both,
And to his robb'ry had annexed thy breath;
But, for his theft, in pride of all his growth
A vengeful canker eat him up to death.
More flowers I noted, yet I none could see
But sweet or colour it had stol'n from thee.

Sonnet 100

Where art thou, Muse, that thou forget'st so long
To speak of that which gives thee all thy might?
Spend'st thou thy fury on some worthless song,
Dark'ning thy power to lend base subjects light?
Return, forgetful Muse, and straight redeem
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem
And gives thy pen both skill and argument.
Rise, resty Muse, my love's sweet face survey
If time have any wrinkle graven there;
If any, be a satire to decay
And make time's spoils despised everywhere.
Give my love fame faster than Time wastes life;
So thou prevene'st his scythe and crooked knife.


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