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Poems for the People   -  Poems by the People

XX to XXXIX
by Lord Alfred Tennyson

English poet and dramatist, generally considered to be the chief representative of the Victorian age in poetry. Tennyson's major works include his Poems. Chiefly Lyrical (1830); his two volume work, again entitled Poems, of 1842 which includes, alongside rewritten earlier works, the dramatic monologue 'Ulysses', 'Morte d'Arthur' and 'Sir Galahad' - his first pieces dealing with Arthurian legend, 'Locksley Hall' and 'Break, Break, Break'; the novella Princess: a Medly (1847) and his In Memorium A.H.H. (1850), a tribute to his deceased friend Arthur Hallam.

Other major works, this time from Tennyson's second period of creative out put after being made poet laureate, include Ode on the Death of the Duke of Wellington (1852), The Charge of the Light Brigade (1854) and Maud (1855), what Tennyson referred to as his "monodrama".

He also wrote, in later years, a number of works centred on Arthurian legends, including The Idylls of the King (1859), The Holy Grail and Other Poems (1870) and Gareth and Lynette (1872), as well as some poetic dramas: Queen Mary (1875), Harold (1877), Becket (1884) and, his only prose work, The Promise of May (produced at the Globe Theatre in November 1882). Other important works are Despair (1881), Locksley Hall Sixty Years After (1886), Demeter and Other Poems (1889) and his famous Crossing the Bar (1889). At Alfred's request, his poem "Crossing the Bar," an epitaph of sorts, is always printed last in any collection of his works (our thanks to visitor Cynthia R. for reminding Passions of this oversight).


In Memoriam
XX to XXXIX
by Lord Alfred Tennyson

XX

The lesser griefs that may be said,
   That breathe a thousand tender vows,
   Are but as servants in a house
Where lies the master newly dead;

Who speak their feeling as it is,
   And weep the fulness from the mind:
   "It will be hard," they say, "to find
Another service such as this."

My lighter moods are like to these,
   That out of words a comfort win;
   But there are other griefs within,
And tears that at their fountain freeze;

For by the hearth the children sit
   Cold in that atmosphere of Death,
   And scarce endure to draw the breath,
Or like to noiseless phantoms flit;

But open converse is there none,
   So much the vital spirits sink
   To see the vacant chair, and think,
"How good! how kind! and he is gone."

XXI

I sing to him that rests below,
   And, since the grasses round me wave,
   I take the grasses of the grave,
And make them pipes whereon to blow.

The traveller hears me now and then,
   And sometimes harshly will he speak:
   "This fellow would make weakness weak,
And melt the waxen hearts of men."

Another answers, `Let him be,
   He loves to make parade of pain
   That with his piping he may gain
The praise that comes to constancy.'

A third is wroth: "Is this an hour
   For private sorrow's barren song,
   When more and more the people throng
The chairs and thrones of civil power?

"A time to sicken and to swoon,
   When Science reaches forth her arms
   To feel from world to world, and charms
Her secret from the latest moon?"

Behold, ye speak an idle thing:
   Ye never knew the sacred dust:
   I do but sing because I must,
And pipe but as the linnets sing:

And one is glad; her note is gay,
   For now her little ones have ranged;
   And one is sad; her note is changed,
Because her brood is stol'n away.

XXII

The path by which we twain did go,
   Which led by tracts that pleased us well,
   Thro' four sweet years arose and fell,
From flower to flower, from snow to snow:

And we with singing cheer'd the way,
   And, crown'd with all the season lent,
   From April on to April went,
And glad at heart from May to May:

But where the path we walk'd began
   To slant the fifth autumnal slope,
   As we descended following Hope,
There sat the Shadow fear'd of man;

Who broke our fair companionship,
   And spread his mantle dark and cold,
   And wrapt thee formless in the fold,
And dull'd the murmur on thy lip,

And bore thee where I could not see
   Nor follow, tho' I walk in haste,
   And think, that somewhere in the waste
The Shadow sits and waits for me.

XXIII

Now, sometimes in my sorrow shut,
   Or breaking into song by fits,
   Alone, alone, to where he sits,
The Shadow cloak'd from head to foot,

Who keeps the keys of all the creeds,
   I wander, often falling lame,
   And looking back to whence I came,
Or on to where the pathway leads;

And crying, How changed from where it ran
   Thro' lands where not a leaf was dumb;
   But all the lavish hills would hum
The murmur of a happy Pan:

When each by turns was guide to each,
   And Fancy light from Fancy caught,
   And Thought leapt out to wed with Thought
Ere Thought could wed itself with Speech;

And all we met was fair and good,
   And all was good that Time could bring,
   And all the secret of the Spring
Moved in the chambers of the blood;

And many an old philosophy
   On Argive heights divinely sang,
   And round us all the thicket rang
To many a flute of Arcady.

XXIV

And was the day of my delight
   As pure and perfect as I say?
   The very source and fount of Day
Is dash'd with wandering isles of night.

If all was good and fair we met,
   This earth had been the Paradise
   It never look'd to human eyes
Since our first Sun arose and set.

And is it that the haze of grief
   Makes former gladness loom so great?
   The lowness of the present state,
That sets the past in this relief?

Or that the past will always win
   A glory from its being far;
   And orb into the perfect star
We saw not, when we moved therein?

XXV

I know that this was Life, -- the track
   Whereon with equal feet we fared;
   And then, as now, the day prepared
The daily burden for the back.

But this it was that made me move
   As light as carrier-birds in air;
   I loved the weight I had to bear,
Because it needed help of Love:

Nor could I weary, heart or limb,
   When mighty Love would cleave in twain
   The lading of a single pain,
And part it, giving half to him.

XXVI

Still onward winds the dreary way;
   I with it; for I long to prove
   No lapse of moons can canker Love,
Whatever fickle tongues may say.

And if that eye which watches guilt
   And goodness, and hath power to see
   Within the green the moulder'd tree,
And towers fall'n as soon as built --

Oh, if indeed that eye foresee
   Or see (in Him is no before)
   In more of life true life no more
And Love the indifference to be,

Then might I find, ere yet the morn
   Breaks hither over Indian seas,
   That Shadow waiting with the keys,
To shroud me from my proper scorn.

XXVII

I envy not in any moods
   The captive void of noble rage,
   The linnet born within the cage,
That never knew the summer woods:

I envy not the beast that takes
   His license in the field of time,
   Unfetter'd by the sense of crime,
To whom a conscience never wakes;

Nor, what may count itself as blest,
   The heart that never plighted troth
   But stagnates in the weeds of sloth;
Nor any want-begotten rest.

I hold it true, whate'er befall;
   I feel it, when I sorrow most;
   'Tis better to have loved and lost
Than never to have loved at all.

XXVIII

The time draws near the birth of Christ:
   The moon is hid; the night is still;
   The Christmas bells from hill to hill
Answer each other in the mist.

Four voices of four hamlets round,
   From far and near, on mead and moor,
   Swell out and fail, as if a door
Were shut between me and the sound:

Each voice four changes on the wind,
   That now dilate, and now decrease,
   Peace and goodwill, goodwill and peace,
Peace and goodwill, to all mankind.

This year I slept and woke with pain,
   I almost wish'd no more to wake,
   And that my hold on life would break
Before I heard those bells again:

But they my troubled spirit rule,
   For they controll'd me when a boy;
   They bring me sorrow touch'd with joy,
The merry merry bells of Yule.

XXIX

With such compelling cause to grieve
   As daily vexes household peace,
   And chains regret to his decease,
How dare we keep our Christmas-eve;

Which brings no more a welcome guest
   To enrich the threshold of the night
   With shower'd largess of delight
In dance and song and game and jest?

Yet go, and while the holly boughs
   Entwine the cold baptismal font,
   Make one wreath more for Use and Wont,
That guard the portals of the house;

Old sisters of a day gone by,
   Gray nurses, loving nothing new;
   Why should they miss their yearly due
Before their time? They too will die.

XXX

With trembling fingers did we weave
   The holly round the Chrismas hearth;
   A rainy cloud possess'd the earth,
And sadly fell our Christmas-eve.

At our old pastimes in the hall
   We gambol'd, making vain pretence
   Of gladness, with an awful sense
Of one mute Shadow watching all.

We paused: the winds were in the beech
   We heard them sweep the winter land
   And in a circle hand-in-hand
Sat silent, looking each at each.

Then echo-like our voices rang;
   We sung, tho' every eye was dim,
   A merry song we sang with him
Last year: impetuously we sang:

We ceased: a gentler feeling crept
   Upon us: surely rest is meet:
   "They rest," we said, "their sleep is sweet,"
And silence follow'd, and we wept.

Our voices took a higher range;
   Once more we sang: "They do not die
   Nor lose their mortal sympathy,
Nor change to us, although they change;

"Rapt from the fickle and the frail
   With gather'd power, yet the same,
   Pierces the keen seraphic flame
From orb to orb, from veil to veil."

Rise, happy morn, rise, holy morn,
   Draw forth the cheerful day from night:
   O Father, touch the east, and light
The light that shone when Hope was born.

XXXI

When Lazarus left his charnel-cave,
   And home to Mary's house return'd,
   Was this demanded -- if he yearn'd
To hear her weeping by his grave?

"Where wert thou, brother, those four days?"
   There lives no record of reply,
   Which telling what it is to die
Had surely added praise to praise.

From every house the neighbours met,
   The streets were fill'd with joyful sound,
   A solemn gladness even crown'd
The purple brows of Olivet.

Behold a man raised up by Christ!
   The rest remaineth unreveal'd;
   He told it not; or something seal'd
The lips of that Evangelist.

XXXII

Her eyes are homes of silent prayer,
   Nor other thought her mind admits
   But, he was dead, and there he sits,
And he that brought him back is there.

Then one deep love doth supersede
   All other, when her ardent gaze
   Roves from the living brother's face,
And rests upon the Life indeed.

All subtle thought, all curious fears,
   Borne down by gladness so complete,
   She bows, she bathes the Saviour's feet
With costly spikenard and with tears.

Thrice blest whose lives are faithful prayers,
   Whose loves in higher love endure;
   What souls possess themselves so pure,
Or is there blessedness like theirs?

XXXIII

O thou that after toil and storm
   Mayst seem to have reach'd a purer air,
   Whose faith has centre everywhere,
Nor cares to fix itself to form,

Leave thou thy sister when she prays,
   Her early Heaven, her happy views;
   Nor thou with shadow'd hint confuse
A life that leads melodious days.

Her faith thro' form is pure as thine,
   Her hands are quicker unto good:
   Oh, sacred be the flesh and blood
To which she links a truth divine!

See thou, that countess reason ripe
   In holding by the law within,
   Thou fail not in a world of sin,
And ev'n for want of such a type.

XXXIV

My own dim life should teach me this,
   That life shall live for evermore,
   Else earth is darkness at the core,
And dust and ashes all that is;

This round of green, this orb of flame,
   Fantastic beauty; such as lurks
   In some wild Poet, when he works
Without a conscience or an aim.

What then were God to such as I?
   'Twere hardly worth my while to choose
   Of things all mortal, or to use
A tattle patience ere I die;

'Twere best at once to sink to peace,
   Like birds the charming serpent draws,
   To drop head-foremost in the jaws
Of vacant darkness and to cease.

XXXV

Yet if some voice that man could trust
   Should murmur from the narrow house,
   `The cheeks drop in; the body bows;
Man dies: nor is there hope in dust:'

Might I not say? "Yet even here,
   But for one hour, O Love, I strive
   To keep so sweet a thing alive."
But I should turn mine ears and hear

The moanings of the homeless sea,
   The sound of streams that swift or slow
   Draw down Æonian hills, and sow
The dust of continents to be;

And Love would answer with a sigh,
   "The sound of that forgetful shore
   Will change my sweetness more and more,
Half-dead to know that I shall die."

O me, what profits it to put
   An idle case? If Death were seen
   At first as Death, Love had not been,
Or been in narrowest working shut,

Mere fellowship of sluggish moods,
   Or in his coarsest Satyr-shape
   Had bruised the herb and crush'd the grape,
And bask'd and batten'd in the woods.

XXXVI

Tho' truths in manhood darkly join,
   Deep-seated in our mystic frame,
   We yield all blessing to the name
Of Him that made them current coin;

For Wisdom dealt with mortal powers,
   Where truth in closest words shall fail,
   When truth embodied in a tale
Shall enter in at lowly doors.

And so the Word had breath, and wrought
   With human hands the creed of creeds
   In loveliness of perfect deeds,
More strong than all poetic thought;

Which he may read that binds the sheaf,
   Or builds the house, or digs the grave,
   And those wild eyes that watch the wave
In roarings round the coral reef.

XXXVII

Urania speaks with darken'd brow:
   `Thou pratest here where thou art least;
   This faith has many a purer priest,
And many an abler voice than thou.

`Go down beside thy native rill,
   On thy Parnassus set thy feet,
   And hear thy laurel whisper sweet
About the ledges of the hill.'

And my Melpomene replies,
   A touch of shame upon her cheek:
   `I am not worthy ev'n to speak
Of thy prevailing mysteries;

`For I am but an earthly Muse,
   And owning but a little art
   To lull with song an aching heart,
And render human love his dues;

"But brooding on the dear one dead,
   And all he said of things divine,
   (And dear to me as sacred wine
To dying lips is all he said),

"I murmur'd, as I came along,
   Of comfort clasp'd in truth reveal'd;
   And loiter'd in the master's field,
And darken'd sanctities with song."

XXXVIII

With weary steps I loiter on,
   Tho' always under alter'd skies
   The purple from the distance dies,
My prospect and horizon gone.

No joy the blowing season gives,
   The herald melodies of spring,
   But in the songs I love to sing
A doubtful gleam of solace lives.

If any care for what is here
   Survive in spirits render'd free,
   Then are these songs I sing of thee
Not all ungrateful to thine ear.

XXXIX

Old warder of these buried bones,
   And answering now my random stroke
   With fruitful cloud and living smoke,
Dark yew, that graspest at the stones

And dippest toward the dreamless head,
   To thee too comes the golden hour
   When flower is feeling after flower;
But Sorrow -- fixt upon the dead,

And darkening the dark graves of men, --
   What whisper'd from her lying lips?
   Thy gloom is kindled at the tips,
And passes into gloom again.


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